Until Monday, Hector, Allegra and I are free. We hope to network with other community groups—and quickly—to supplement the small group of young boys we met yesterday. Uri will join us tomorrow, and already I have dreams for the echo-y theatre space we’ll be working in on Monday:
The 174 Trust is a converted 19th-century Protestant church—stained glass windows and vaulted, wood ceilings. It now houses a myriad of social outreach programs. Seniors dance traditional Irish dances in the main hall once a week, special needs children are entertained, after-school programs float in and out. The acoustics are challenging--it sounds more like a gymnasium than a theatre space--but the energy in the building is rich. There are lots of spirits hanging about.
Razor wire spirals about the brick walls that circle the building, at odds with the period architecture, "for insurance purposes." Across the street, a tiny girl in pigtails squeaks around the corner on a plastic bike. Clouds hang low above the terraced houses.
I can't wait to begin the work.


